It was also a little tricky in testing to see the touchscreen when shooting outside. With no cooling vents and only a single card slot, the ZV-E1 isn’t the perfect YouTube camera for power users. The ZV-E1 also uses AI smarts to make life easier for solo content creators: Auto Framing can reliably track subjects across a scene, which leaves less to edit later. Its in-body image stabilization also proved impressive, delivering fantastically smooth footage that’s ideal for run and gun YouTubers who want to shoot handheld without a gimbal. The ZV-E10 trumps it for outright portability, but as the smallest, lightest full-frame camera with image stabilization, the ZV-E1 is arguably the ultimate combination of convenience and quality for shooting YouTube content on the move.ĭuring our review, the ZV-E1 captured crisp 4K 30p video in a range of shooting scenarios. If you want a compact YouTube camera that’s easy to use, the Sony ZV-E1 should sit high on your list. ❌ You’re a serious videographer: For cooling vents, dual card slots and unlimited record times, you’ll want to look at the Sony FX3. ❌ You don’t shoot slow motion: If higher frame rates aren’t in your content calendar, the Sony ZV-E10 may offer better value. Read our in-depth Panasonic Lumix GH6 review Provided you can do without phase-detection autofocus and live-streaming, the GH6 is a portable creative powerhouse for YouTubers. An algorithmic upgrade has also boosted stabilization performance. We also appreciated a few useful additions versus other Lumix models: the free-angle touchscreen also tilts, there are tally lights front and back, plus a record button on the front. Forced-fan cooling also means unlimited recording times – handy if you’re targeting YouTube’s 12-hour cap for verified accounts.ĭuring our tests, we liked the robust and familiar build. Slightly larger than the GH5 Mark II, the GH6 remains a relatively compact tool for recording YouTube videos outside a studio. Usefully, ProRes and H.265 formats are supported by both the GH6 and YouTube. The V2.3 firmware update also enhanced its external recording capabilities to include 12-bit Blackmagic RAW, and added support for 4K/120p via HDMI. Overkill for casual YouTubers, its massive array of 10-bit video modes provides huge flexibility for those who like to color grade in the editing suite. The GH6 loses the streaming option but improves pretty much every other spec: equipped with a 25.2MP Micro Four Thirds sensor, it can shoot 5.7K footage at 30fps. Panasonic’s GH5 Mark II is an excellent camera for creating 4K video content, with the added bonus of being able to live-stream straight to YouTube. ❌ You want a full-frame sensor: The Micro Four Thirds sensor inside the GH6 delivers excellent results, but full-frame is better for low light. ❌ You need the very best autofocus: Contrast-based autofocus works well here, but it still lags behind the hybrid phase detection used by rivals. You’ll find the results distilled in the list below, together with useful buying tips to keep in mind when choosing your ideal YouTube camera. As well as overall video quality, we review factors such as how easy each camera is to use, plus audio connectivity, battery life and autofocus. Our experts test every entry extensively to see how it performs in the real world. We think it represents excellent value.įrom premium compacts to the best mirrorless cameras, our round-up covers the best YouTube cameras in every category. It’s among the best vlogging cameras on the market, offering outstanding autofocus, travel-friendly dimensions and the flexibility of interchangeable lenses. If you want something altogether more compact and affordable, we highly rate the Sony ZV-E10. That said, if you’re happy to spend more on a camera with solid filmmaking credentials, the Sony A7S III is also a fantastic choice. We think it’s one of the best 4K cameras you can buy. Lightweight yet powerful, it’s a versatile shooting tool with useful built-in live streaming skills. We think the best YouTube camera for most people is the Panasonic GH5 Mark II.
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